The Daily of the University of Washington

Dinner and a movie

January 29, 2009


Barrio: Mexican with a Pacific Northwest twist

By Matthew Jackson



Photo by Cliff Despeaux.

Barrio, located on Capitol Hill, offers a more traditional Mexican food experience while providing a relaxing environment.


5.0/5.0

At Barrio, Captiol Hill’s newest Mexican restaurant, diners will not find dishes smothered in refried beans or drowned in jarred salsas. The fine dining establishment, which opened Dec. 5, is decidedly not Tex-Mex.

Barrio’s class is reflected in its decor. The imposing wood doors of Capitol Hill’s new Barrio Restaurant open to a chic, dark interior. The bar is a smooth stretch of gray-toned mosaic and dark wooden barstools. The window to one side is lined with tables while the other features booths, lit stylishly with large cream candles. The effect of the back wall, a dark grid of square cutouts holding candles, is striking.

Barrio’s margaritas are simple and amazing, with Damiana orange liqueur and the perfect balance of sweet, sour and salty flavors.

I recommend selecting from each part of the restaurant’s menu and sharing, family-style, with your dining mate.

Barrio’s ceviches — diced, raw seafood tossed with lime juice — are each uniquely arranged and beautifully presented. The ceviche of Mahi Mahi combines tuna with shrimp and pineapple, creating a dish that is sweet and salty, with a fantastic play of textures and delicate seafood meatiness. My personal favorite is the sea scallop ceviche, with tender and sweet shellfish contrasted with spicy serrano chilies, red onion and a garnish of thinly slivered mango.

For an appetizer, order the “Duo of Salsas.” With a wide selection of salsas to choose from, the starter comes with corn, plantain and yucca chips. Fried crispy with a light texture and unique flavor, these are fantastic. The Warm Queso de Cabra is a ball of goat cheese rolled in cranberries and pumpkin seeds and broiled on a banana leaf. These are best eaten with Barrio’s masa cakes.

Barrio also offers a variety of specialty tacos, including the “Flank Steak al Carbón” with grilled onion, tomatillo salsa and cotija cheese and the “Roasted Wild Mushroom” with queso fresco and epazote. Both are hearty, two-bite delights. These tacos are available a la carte or can be ordered as part of the Trio of Tacos from the entrée menu, which comes with delicious drunken beans and coconut cilantro rice.

This rice is also featured in the “Cerveza and Agave Poached Mahi Mahi” dish. The fish sits atop the bed of rice and is fantastically moist and fresh. The complementary papaya salsa adds fruitiness and enhances the lightness of the entree. It is hard to believe you’re at a Mexican restaurant with food this light and fresh.

Barrio’s menu is a built around a medley of ingredients from both Mexico and the Pacific Northwest, with regional fare from the Northwest appearing on a seasonal basis. This makes for an especially fresh and unique set of entrées.

For dessert, the “Churros and Xocalatl Chocolate” is shockingly airy, with a soft, delicate interior and crisp, sweet and powdered outside. Dip them in the rich — though unsweetened — chocolate for a smooth, delicious treat.

In a separate class, though, is the crème brulée. The pleasure of racking the surface with a spoon is reason enough to order dessert.

Though the excellent experience and style is reflected in your bill, Barrio is one of the few places in Seattle for Mexican fine dining.

Reach reporter Matt Jackson at arts@dailyuw.com.

Pray the Devil Back to Hell: Documentary as overwhelming as it is inspiring

By Maddie Hall



Photo by none.

Pray the Devil Back to Hell


5.0/5.0

“Taylor could pray the Devil out of hell.”

So charismatic was warlord-turned-Liberian President Charles Taylor that for more than a decade, he perpetrated and supported civil war in his own country — and half the citizens loved him for it.

However, it is the other half that is portrayed in Pray the Devil Back to Hell, which opens Feb. 6 at the Varsity Theatre.

Gorgeously produced opening credits paint child soldiers toting rifles, guns for $25 and mothers wrapping arms around displaced children.

In an environment that glorified and sexualized violence more effectively than Grand Theft Auto ever could, virility was directly related to the number of women raped and enemies slaughtered.

It was not until a network of a few hundred heroic women — Christian and Muslim alike — banded together despite their differences, that their husbands, their brothers and their sons joined them in prayer and passive resistance.

Pray the Devil Back to Hell is reminiscent of Hotel Rwanda in content, but director-producer team Gini Reticker and Abigail E. Disney depict a greater terror than that perpetrated in Rwanda and compassion rivaling Gandhi’s that ended it. The 72-minute film packs a concise, compelling punch with survivor monologues and newsreel footage.

In 1989, war broke out in the country of Liberia. Was there an internal conflict over ethnicity? Class? Natural resources? No. The war was created by inept and cruel ruling powers who sought to affect radical reform in the name of God.

Taylor’s forces clashed with rebel groups, all committing terrible crimes against the women and children of the country. Rape, pillaging and murder were customary; full bellies and sacrosanct bodies nearly nonexistent.

The war quickly became an excuse to play the game of who was “manliest.” Women answered firmly: “We are.” They prayed. They wore simple white robes and eschewed cosmetics. They physically forced U.N.-mediated peace talks. They went on a sex strike — and then the males responded. Only by exacting stunning power did a small women’s movement topple the corrupt regime of Taylor and the reservations of those civilians who allowed it.

The story is more accessible and, perhaps, all the more real because of Liberia’s early history: It was founded by freed African slaves in 1821 and its inhabitants speak English.

The U.S. did not intervene in the Liberian conflict until 2003, and then only as a member of the United Nations. But the film does not harp on this point, which arouses curiosity rather than clouding the true message.

Pray the Devil Back to Hell should be watched by anyone with a strong constitution and a desire for truth. It will take viewers on a powerful emotional journey. It’s not rated by the MPAA, but is really only appropriate for mature audiences. There is a surprising absence of gratuitous blood, but the film doesn’t lack narrated scenes of violence or stirring accompanying images.

The moral apparent in Pray the Devil Back to Hell is overwhelming and inspiring, and the destination is well worth the journey.

Reach reporter Maddie Hall at arts@dailyuw.com.


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