He’s known for his animated film, he dabbles in sculpture and he is internationally recognized for his performance art. He’s the master of mediums William Kentridge, and his work is currently on display at the Henry Art Gallery.

“William Kentridge has invented a body of contemporary art that reflects and expands the human spirit as it engages elements of man’s inhumanity to man,” the gallery’s Chief Curator Elizabeth Brown said in introducing the exhibit.

The exhibit, which opened Feb. 7, displays sculptures, drawings, animated films, photogravures, a tapestry and other works by the South African artist. The gallery also hosted a March 9 performance by Kentridge, entitled “I am not me, the horse is not mine.”

Pam McClusky, curator of African and oceanic art at the Seattle Art Museum, was impressed by Kentridge’s ability to create pieces that are at once relatable and unique. “You can read into its specifics or see it for its universal appeal,” McClusky said. “The work can often be specific to one city at a time, but I think it can be pertinent to all of us.”

Kentridge’s parents were a part of the anti-apartheid movement, and the exhibit carries undertones relating to that period in South Africa’s history. The exhibit presents many levels of interpretation for viewers to consider.

“He uses visual symbols very acutely, so you have a personal connection with the issues that he brings up,” McClusky said. “He’s extremely skilled at finding a way of capturing your attention.”

Working primarily in charcoal, Kentridge produces his animations by erasing and redrawing each scene to add elements and create subtle differences that animate the subjects. The pictures that are used to create his films are often displayed with the animations.

“The exhibition provides a faithful survey of Kentridge’s vast range of technique and content, introducing him to new audiences and deepening the comprehension of his fans,” Brown said.

While the sights, sounds and overall experience of the exhibit can overwhelm the senses, one can not help but respect the immense capability of an artist who works in such a variety of mediums. Whether it’s his films, performance art, drawings, sculptures, photogravures or embroidery that resonates most strongly with visitors, Kentridge’s work certainly provides a unique historical experience.

The exhibit will be displayed in the North Galleries of the Henry through May 3.

Reach editorial assistant Lexie Krell at arts@dailyuw.com.