The Daily of the University of Washington

Insomniac surprisingly not a snooze


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After three years of writing, recording and traveling, Enrique Iglesias has finally released his fan-anticipated ninth album.


Photo by File Photo.


His latest CD, entitled Insomniac, will be “the most ambitious record of his phenomenal career” according to his official website. While Enrique’s music career up to this point has been less than “phenomenal,” the album does have an especially driven aura.

All but two of the songs were either written or co-written by Enrique himself. Additionally, the last three songs are Spanish versions of his better-written ballads.

The first song, “Ring My Bells,” is an excellent opener for the record. It contains the sensual Enrique that past fans will instantly recognize, as well as a more mature sound and lyrical content that first-time listeners can easily get used to hearing.

Insomniac also lays claim to other well-written, well-worded compositions such as the racier “On Top of You” and “Stay Here Tonight” which appears to be more personal than Enrique’s willing to let on.

A few songs are worth staying away from, like “Push” featuring Lil’ Wayne, which includes tacky lines such as “pop it like a glock” and “I can bless you when you’re not even sneezing.” “Little Girl” also seems to be cliché and more mediocre than the rest.

The hit single of the CD, “Do You Know? (The Ping Pong Song),” has done well since its release, peaking at #21 on The Billboard Hot 100 chart.

Ironically, its Spanish counterpart, “Dimelo,” which was also released in the record, has already managed to surpass it. “Dimelo” has been the #1 song in Billboard’s Hot Latin Songs chart for six consecutive weeks.

Overall, the journey Enrique experienced these past three years has caused a distinct change in his musical style that is apparent after finishing the album. His lyrics have become more sultry than lusty, and his sound leans more toward R&B than pop.

The sleepless nights “Insomnia” has caused him seem to have been worth it in regard to the upward progression he has earned musically.

For past fans, this CD is worth the buy. The hybrid of the old and new Enrique is certain to be ear candy. Those who have never heard of him or were not impressed with his prior work should give the CD a listen. At the very least, the Spanish songs at the end will make it a unique aural experience.

Three and a half stars.

Reach reporter Jasmine Ines at arts@thedaily.washington.edu


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